dsoderblog

October 29, 2011

Windemere. Dirty Tricks, Shenanigans and Failed Process.

Filed under: Historical — Dan Soderberg @ 4:45 pm

The 1894 Windemere Cottage. It is the oldest cottage in La Jolla  continually used as a residence. This is how it looked until recently, before a development speculator bought it from a preservationist who unfortunately couldn’t hold on to the property.  The speculator knew full well the site was historic, but set forth a series of moves to try and change that.

Step one hire a lawyer,  an agent of cultural destruction who specializes in historic resources. Someone who makes it “job one” to plant the seeds of misinformation and hyperbole. From there all else follows.

Next prepare the site before the Historical Resources Board or Staff visits. For example remove the historic diamond pattern windows, cover the openings with plywood. The lawyer then prepares a report full of hyperbole and bogus info, such as saying the windows have been missing for 30 years–and therefore “the building has lost its integrity.”

Hire a “structural forensic expert” to come in and tear the place apart,  to try to reveal the smoking guns of inappropriate alterations. Successful in finding anything or not it makes the place look shabby as possible. Plywood boards nailed up everywhere, sections of walls and floors torn apart–and don’t forget to twist up the venetian blinds.  Suddenly the building “no longer has integrity.”

At the September 22nd Meeting of the Historical Resources Board, Windemere was on the agenda for  historic designation. City Staff had recommended against designation because of insufficient integrity. This was very strange, since they had previously worked to create a special category of La Jolla Beach cottages under Criterion A because cottages have a special place in La Jolla History. There was a field trip to La Jolla, and Windemere was cited by City staffmember Jodie Brown as an example of the La Jolla Beach cottage . It is beyond understanding that suddenly now the very same cottage is not considered historic according to City staff.

Frank Lloyd Wright’s Bazett House in Hillsborough California.  A modern example of single wall construction. “It is possible to build the inside and outside of the house in one operation,” –Frank Lloyd Wright.

Board Member Alex Bethke was allowed to both comment and vote in the decision, even though he had stated he didn’t know about single wall construction. In a report he was supposed to have read concerning another site, the architectural firm Johnson and Johnson prepared a very good discussion on this building method.

At the beginning of meetings the Chair asks if Board Members have visited the sites under consideration. Clearly he should also be asking if Board Members have read the reports.

In a meeting earlier this year, Boad Member Mike Baksh admitted he considers the wishes of the developer as part of his decision. An investigation needs to be done on this Board member and his voting record. But for those of us who attend many HRB meetings, it is apparent this board member does not support involuntary designations, which goes against his sworn oath to uphold the laws and rules governing this board. He voted against designating Windemere.

Board Chair should have disqualified these Board Members from participating and voting because of either their stated prejudice, or lack of expertise and preparation. Furthermore it was not helpful for the Chair to quote city code stating that decisions had to be made on written findings, not on public testimony–even though historians and architects were in the audience trying desperately to counter the barrage of inaccurate information being presented by the lawyer for the developer.

The Lawyer stated Windemere no longer had integrity because all the house windows had been removed 30 years ago. False. The windows were removed by his client. They were in place when the house was purchased. What was removed 30 years ago is documented. The sidelights to the front door were stolen–not the house windows.

The Lawyer also stated Windemere is not a Gill. No proof he said. City staff and Moomjian also stated many time the cottage was built in 1895. Clearly 1894 is documented. There are many other such examples. It was commendable that at least one Board Member pointed out representative Mr. Moomjian’s factual errors. When the vote was finally taken, the Board voted 5-3 in favor of designation. Problem is HRB requires a super majority, therefore 6 votes were needed for designation. The Mayor intentionally keeps empty Board seats from being filled. Since Sanders is extremely  anti preservation, he knows keeping the Board seats empty will mean fewer sites will be designated.

Windemere is of course a Gill. One of the very earliest in existence. And the integrity is good, minus the vandalism done by the current owner. One look at the historic photo in comparison to photos taken prior to the current owner reveal the home is VERY recognizable, and any integrity issues are easily reversible.  Knowing that a reconsideration of the HRB non-designation decision was a real possibility, as well as the possibility of the resources being reviewed at the State level, the owner kicked up the dirty tricks up ten notches.

They sawed off all the buildings most recognizable character defining features. The rafter tails and decorative roof brackets. An upper level window is left open. These are old tricks lawyers and agents of cultural destruction have used for years. Years ago an Asian theme bungalow in Pacific Beach was on its way to designation. The ornate curling up rafter tails got sawed off to block the historic designation. Going back even further, on Park Boulevard, a property owner took a jack hammer to the Egyptian ornamentation on his place when designation came forward.

These people are like the Taliban when they used Buddha Sandstone sculptures for arsenal practice.

All that old growth redwood on Windemere destroyed. Notice how the window is left open as we approach the rainy season. You can count on more windows being left open or perhaps a brick tossed through several more windows to let in rain and pigeons..

Saving our history is difficult enough. But when City staff demands that very old  buildings be in pristine condition before designating, when an aniti preservation Mayor fails to fill HRB appointments, when the HRB members either fail to to their homework, or have a hidden agenda, and when the Chair fails to provide a fair hearing, then saving our history becomes very, very difficult. The circumstances and process surrounding Windemere completely failed this extraordinarily historic Irving Gill cottage.

 

 

 

 

 

 

 

 

 

 

August 16, 2011

Nowhere Bridge

Filed under: Historical — Dan Soderberg @ 5:55 pm

The rejected Alternate B–the bypass bridge alternative–from the Balboa Park Master Plan.

Alternate B is very similar to the Sanders/Jacobs plan

As you can see, the bypass bridge idea is not new. What is new is the idea of amending the Balboa Park Master Plan–as the Mayor wants to do–with an alternative that has already been rejected from that Master Plan.

In all my years in San Diego I have never known of a major civic project based on a previously rejected plan. The Mayor’s plan for Balboa Park was pulled from the scrap heap of bad ideas.  The rejected “Alternate B” of the Balboa Park Master Plan–the bypass alternative–was evaluated through a careful vetting process that not only included planners, but City staff, and members of the community. It was tossed out by each and all.

It was rejected for four major reasons.

1. For its severe impact both visually and architecturally to a National Register Historic District. Wow–consideration was actually given to Balboa Park as a historic resource. The current proponents never frame their arguments with that consideration because they keep pressing forward with the obvious impacts that were so clear then and certainly glaringly obvious now.

2. It was rejected because of the pedestrian conflict that will occur on the south east portion of the Cabrillo Bridge where traffic turns to cross the bypass.

3. The visual and environmental impacts to Palm Canyon.

4. The very poor cost to benefit ratio. The money being poured into a massive infrastructure project so heavily laden with cutting, grading, concrete, asphalt, and retaining walls would be better spent on improving the park itself–with its $250 million deferred maintenance cost.

 

 

Anatomy of the Balboa Park Controversy

Filed under: Dan Soderberg Photography — Dan Soderberg @ 4:48 pm

The arguments in the controversy couldn’t be more bracing. Conflicting visions and sensibilities concerning the future of Balboa Park and Plaza de Panama. On one side are very powerful forces marshaled by San Diego Mayor Jerry Sanders and Qualcomm founder Irwin Jacobs. On the other side a coalition of citizens, historic preservationists, community planning groups, and architect/design professionals.

Last summer the Mayor called upon Jacobs to spearhead a plan to revitalize Balboa Park in anticipation of the 100 year anniversary of the 1915 Panama California Exposition. Jacobs agreed, and then followed up by putting together a design team dedicated to achieving a goal Sanders and Jacobs established.  To remove cars and traffic from Plaza de Panama. To most people, that sounds great. But red flags went up as soon as details began to emerge.

So what’s wrong with the plan?

The first thing people notice when viewing the plans is the unattractive and clashing appendage ramp proposed to reroute automobile traffic from El Prado to behind the California Quadrant, Alcazar Garden, and finally the Organ Pavilion. The project also proposes a semi under ground parking structure directly behind the Organ Pavilion.

Architects, desingers, planners, historians and preservationists have produced a long list of concerns about, and objections to, what they regard as a jarring change to the visual and design integrity of the Cabrillo Bridge.

The historic view vs. the proposed view. A key objection is the incompatibility of the modern appendage bypass ramp with the Spanish Revival theme of the park.

In San Diego there is no collection of buildings and architectural elements more historic or iconic than El Prado. In 1977 a group of San Diegans, spearheaded by Committee of One Hundred, got El Prado placed on the National Register of Historic Places.

That was not done to simply have a plaque made or for publicity. It was done because of the overlay of protective rules and guidelines designed to protect our nation’s historic treasures. The Plaza de Panama proponents point to their work as being both “restoration” and “rehabilitation.” Opponents vigorously contend the project violates all Secretary of Interior guidelines for either restoration or rehabilitation. Readers can familiarize themselves with some of those rules and guidelines by visiting the National Register website.

An overview http://www.nps.gov/hps/tps/standguide/overview/using_standguide.htm

Guidelines for Rehabilitation. http://www.nps.gov/hps/tps/standguide/rehab/rehab_standards.htm

Guidelines for Restoration http://www.nps.gov/hps/tps/standguide/restore/restore_standards.htm

 

As mentioned, a focus of contention in the project is the visual and architectural impact the bypass bridge has on the Cabrillo Bridge. Proponents of the project claim that the bypass in no way touches the bridge itself. However as you have read, the historic designation encompasses all elements of the bridge–the approaches and guard stations.  Proponents refer to the southeast section of the Cabrillo Bridge approach wall merely as a “rail.” However notice in the above right photo, architecturally it is part of the continuous line architect Bertram Goodhue and the bridge architects used underscore the ceremonial procession from one hilltop, across a canyon, to a hilltop fortress. Interrupting that perfectly executed linear geometry with a curvilinear element degrades the bridge’s bold and pure architectural statement.

What some refer to as a mere “rail,” the National Register identifies as an approach wall. The proposed project will demolish between 70 – 80 feet of this one hundred year old approach wall.

Other architects, planners, and design professionals have called into question the wisdom, if not the safety, of creating a hard right and left hand turn at the bypass junction. According to some, traffic calming measures such as a host of warning and stop signs, besides adding visual clutter, may possibly lead to a traffic bottleneck here with traffic back ups across the bridge.

The City of San Diego’s own Development Services report of April 14th states: “staff has a concern regarding pedestrian/bicycle/vehicle conflict at the intersection of the bypass road and El Prado. Vehicles turning onto and off of the bypass road will conflict with pedestrians and cyclists continuing east and west along El Prado.” The above diagram helps illustrate. Below is an abridged version of the report which corroborates what preservationists, historians and SOHO have been saying all along.

The Mayors office issued a memo titled “Facts vs. Myths” which completely contradicts what City Staff states in the above report. As one example, The Mayor’s document says the project will have no impact on the Alcazar Garden. Furthermore the Mayor’s document claims that the Alcazar Garden lot will be regraded to a lower level than it is currently, even though the blueprints clearly indicate the lot will actually be filled and raised higher!

San Diegans have a history of taking what Mayors and other elected officials say with a healthy dose of skepticism. Now is not the time to stop questioning the accuracy of authority, especially now  with an issue as important as San Diego’s crown jewel.

To illustrate what has been described above, here are the highly complicated and compounded traffic patterns proposed for the Alcazar lot.  Here you see not only a busy two lane road carrying 7,000 cars a day across the unprotected open edge of Alcazar Garden, but you see drop off for passengers, ADA, freight and valet. All in a relatively tiny space. In addition to the possible bottleneck the bypass bridge itself may create, this complicated traffic pattern creates yet other bottleneck situation. All at the expense of Alcazar Garden’s tranquility and beauty.

Many people who’ve only taken a glance at the project, or seeing it for the first time, are often dazzled by the slick computer generated renditions of proposal. The presenters rely heavily upon these breath-taking areal views to sanitize and sell the plan. But the truth is they don’t want a closer inspection at ground level to show what the project really looks like. Unlike the glossy powerpoint presentations which are readily available on line, getting a look at a set of blueprints has proven difficult. Fortunately some with access to them have shared for inspection. The details aren’t pretty.

Here we see the entire footprint and swath of the project which will require massive grading and cuts in the central mesa’s landforms. It is a complicated bridge, road and parking structure project that will radically alter and transform the historic landscape.

Bear in mind the impact on the park for all the number years it will take to rip everything up, and then to build.

Typical looking retaining walls.

The system of retaining walls needed to support the massive infrastructure project in Balboa Park will both cut and fill natural canyon slopes. The blueprints indicate some of these walls will be as high as 60 feet. This is a radical change to the natural landforms and appearance of the park. But wait, there’s more.

An issue that resonates negatively with a large number of residents and visitors is the specter of bringing paid parking to Balboa Park. Neighborhoods bordering Balboa Park don’t want paid parking in the park because people will begin to park a lot more on neighborhood surface streets rather than pay.

The San Diego Zoo doesn’t want paid parking because they firmly believe more people will use the Zoo lot for free parking. As the Zoo has so aptly pointed out, bringing paid parking to one area of the park will likely lead to a domino effect of paid parking, beginning with the Zoo itself.

Although underground parking is an approved concept for behind the Organ Pavillion in the Balboa Park Master Plan, the current proposal fails to meet the goals of the Balboa Park Master Plan. That is to remove not only automobile parking from Plaza de Panama, but also from the Palisades as well. The San Diego Zoo has clearly pointed out this structure provides a net gain of only 272 parking spaces–100 of which will be reserved for valet–at a cost of $39 million dollars. That is a massive expense that does nothing to solve the park’s overall parking and traffic issues.

The justification for the destructive infrastructure project is that it will transform Plaza de Panama into a world class pedestrian experience. The problem with their plan for the Plaza is the same as their plan for the infrastructure project. It lacks the sensitivity and respect for history required for a National Register Historic Landmark. All phases of the project disregard Secretary of Interior Standards for the treatment of historic property. It introduces a glut of modern building materials and amenities that bear no relationship to the parks historic period. In what is supposed to be a celebration of the 100th anniversary of the Panama California exposition, there is nothing about the project that pays homage or respect to either 1915 or 1935. It is all about 2015, and design concepts borrowed from other parts of the world. It has little to do with our history or using the designs, drawings,  plans, photos, and documents handed down from El Prado’s original architects.

If it had been up to community will and the best efforts of planners and city staff, Balboa Park’s Master Plan would have been completed by now. It wasn’t an issue of lack of will or enthusiasm. The project was completely funded. But those funds were robbed by former Mayors and City Manager to fund their pet civic projects instead of Balboa Park. The process in developing the Balboa Park Master Plan was a model example of how public process is supposed to work. The community had a full seat at the table in deciding which elements of the project should stay or go. In contrast is the Sanders/Jacobs public process which amounts to a series of charrettes where participants are handed a box of crayons and told “ask any question you like.” Also contrasting is the spirit of both projects. The Balboa Park Master Plan was achieved through a dedication to negotiate and a willingness to compromise. In comparison there has only been small changes through public input to the Sanders/Jacobs plan.


The bypass from Cabrillo Bridge concept is not new. During the development of the Balboa Park Master Plan, designs were created very similar to the Sanders/Jacobs plan. But through the careful vetting and review process utilized then, the bypass idea was tossed out. It was rejected not only by the planners involved, but also City staff and the community. Their judgement was sound then. It still is.

The way to the future. The Precise Lite Plan, based on the already approved Central Mesa Precise Plan (illustrated above), achieves many of the goals set forward by Sanders and Jacobs. First it eliminates all automobile parking from Plaza de Panama. And as you can see, it restores most of the Plaza to pedestrian use. Because the Lite plan is relatively inexpensive, it does not require bonds or parking fees for its sustainability

An outline shows the redirected traffic pattern through the lower corner of the Plaza. It is through such a strategy that we can begin to address the issue of reducing the flow of automobiles into the park. It is an issue being addressed in other major urban parks including Central Park and Golden Gate Park where roadways are opened for pedestrian use at given times during the week. (Click on those links for more details on how traffic closures have worked in those parks).

The push is on in NYC to eliminate automobile traffic from Central Park altogether. Concurrently in San Francisco residents want to increase pedestrian access for Golden Gate Park. A study shows increasing pedestrian access increases park use–contrary to the fears of many institutions and stakeholders.

Why let New York City and San Francisco take the lead in progressive urban park planning? The issues of where people can park automobiles can be solved by collaborating  with the San Diego Zoo and the studies they’ve already paid for to address the park’s overall parking and traffic issues. Begin a managed traffic strategy that allows for designated times to open the Cabrillo Bridge to pedestrian use. The benefits to Balboa Park and the greater San Diego Community will flourish. Allowing more people to use the park, get people out of their cars, improve the air quality all at the same time is a winning formula. It is both reversible and expandable. It saves money. And it preserves the historic and architectural integrity of Balboa Park. A win all around!

 

 


 

 

 

 

July 26, 2011

Balboa Park, The Anatomy of a Controversy. Your Illustrated Guide To A Bad Plan.

Filed under: Save Balboa Park — Dan Soderberg @ 3:29 pm

The arguments in the controversy couldn’t be more bracing. Conflicting visions and sensibilities concerning the future of Balboa Park and Plaza de Panama. On one side are very powerful forces marshaled by San Diego Mayor Jerry Sanders and Qualcomm founder Irwin Jacobs. On the other side a coalition of citizens, historic preservationists, community planning groups, and architect/design professionals.

Last summer the Mayor called upon Jacobs to spearhead a plan to revitalize Balboa Park in anticipation of the 100 year anniversary of the 1915 Panama California Exposition. Jacobs agreed, and then followed up by putting together a design team dedicated to achieving a goal Sanders and Jacobs established.  To remove cars and traffic from Plaza de Panama. Most people thought that sounded great. But then the details began to emerge.

So what’s wrong with the plan?

The first thing people notice when viewing the plans is the unattractive and clashing appendage ramp proposed to reroute automobile traffic from El Prado to behind the California Quadrant, Alcazar Garden, and finally the Organ Pavilion. The project also proposes a semi under ground parking structure directly behind the Organ Pavilion.

Architects, desingers, planners, historians and preservationists have produced a long list of concerns about, and objections to, what they regard as a jarring change to the visual and design integrity of the Cabrillo Bridge.

The historic view vs. the proposed view. A key objection is the incompatibility of the modern appendage bypass ramp with the Spanish Revival theme of the park.

In San Diego there is no collection of buildings and architectural elements more historic or iconic than El Prado. In 1977 a group of San Diegans, spearheaded by Committee of One Hundred, got El Prado placed on the National Register of Historic Places.

That was not done to simply have a plaque made or for publicity. It was done because of the overlay of protective rules and guidelines designed to protect our nation’s historic treasures.

Today’s Plaza de Panama project proponents point to their plan as being both “restoration” and “rehabilitation.” Opponents vigorously contend the project violates all Secretary of Interior guidelines for either restoration or rehabilitation. Readers can familiarize themselves with some of those rules and guidelines by visiting the National Register website.

An overview http://www.nps.gov/hps/tps/standguide/overview/using_standguide.htm

Guidelines for Rehabilitation. http://www.nps.gov/hps/tps/standguide/rehab/rehab_standards.htm

Guidelines for Restoration http://www.nps.gov/hps/tps/standguide/restore/restore_standards.htm

 

As mentioned, a focus of contention in the project is the visual and architectural impact the bypass bridge has on the Cabrillo Bridge. Proponents of the project claim that the bypass in no way touches the bridge itself. However as you have read, the historic designation encompasses all elements of the bridge–the approaches and guard stations.  Proponents refer to the southeast section of the Cabrillo Bridge approach wall merely as a “rail.” However notice in the above right photo, architecturally it is part of the continuous line architect Bertram Goodhue and the bridge architects used underscore the ceremonial procession from one hilltop, across a canyon, to a hilltop fortress. Interrupting that perfectly executed linear geometry with a curvilinear element–an unsightly traffic intersection–degrades the bridge’s bold and pure architectural statement.

What some refer to as a mere “rail,” the National Register identifies as an approach wall. The proposed project will demolish between 70 – 80 feet of this one hundred year old approach wall.

Other architects, planners, and design professionals have called into question the wisdom, if not the safety, of creating a hard right and left hand turn at the bypass junction. According to some, traffic calming measures such as a host of warning and stop signs, besides adding visual clutter, may possibly lead to a traffic bottleneck here with traffic back ups across the bridge.

The City of San Diego’s own Development Services report of April 14th states: “staff has a concern regarding pedestrian/bicycle/vehicle conflict at the intersection of the bypass road and El Prado. Vehicles turning onto and off of the bypass road will conflict with pedestrians and cyclists continuing east and west along El Prado.” The above diagram helps illustrate. Below is an abridged version of the report which corroborates what preservationists, historians and SOHO have been saying all along.

The Mayors office issued a memo titled “Facts vs. Myths” which completely contradicts what City Staff states in the above report. As one example, The Mayor’s document says the project will have no impact on the Alcazar Garden. Furthermore the Mayor’s document claims that the Alcazar Garden lot will be regraded to a lower level than it is currently, even though the blueprints clearly indicate the lot will actually be filled and raised higher!

San Diegans have a history of taking what Mayors and other elected officials say with a healthy dose of skepticism. Now is not the time to stop questioning the accuracy of authority, especially now  with an issue as important as San Diego’s crown jewel. Here is a link to the real facts vs. myths in response to the Mayor’s.

To illustrate what has been described above, here are the highly complicated and compounded traffic patterns proposed for the Alcazar lot.

Here you see not only a busy two lane road carrying 7,000 cars a day across the unprotected open edge of Alcazar Garden, but you see drop off for passengers, ADA, freight and valet. All in a relatively tiny space. In addition to the possible bottleneck the bypass bridge itself may create, this complicated traffic pattern creates yet other bottleneck situation. All at the expense of Alcazar Garden’s tranquility and beauty.

Many people who’ve only taken a glance at the project, or seeing it for the first time, are often dazzled by the slick computer generated renditions of proposal.

The presenters rely heavily upon these breath-taking areal views to sanitize and sell the plan. But the truth is they don’t want a closer inspection at ground level to show what the project really looks like. Unlike the glossy Powerpoint presentations which are readily available on line, getting a look at a set of blueprints has proven difficult. Fortunately some with access to them have shared a copy or two. The details aren’t pretty.

Here we see the entire footprint and swath of the project which will require massive grading and cuts in the central mesa’s landforms.

The project is a complicated bridge, road and parking structure project that will radically alter and transform the historic landscape.

Bear in mind the impact on the park for all the number years it will take to rip everything up, and then to build. It appears the institutions supporting the Jacobs Plan have either not not considered the disruption to the park,  or they don’t believe it will be significant. They should study the blueprints and think about years of dust and noise.

Typical looking retaining walls.

The system of retaining walls needed to support the massive infrastructure project in Balboa Park will both cut and fill natural canyon slopes. The blueprints indicate terraced retaining wall and infill sections, some totaling 18′ in height. This is a radical change to the natural landforms and appearance of the park. But wait, there’s more.

An issue that resonates negatively with a large number of residents and visitors is the specter of bringing paid parking to Balboa Park. Neighborhoods bordering Balboa Park don’t want paid parking in the park because people will begin to park a lot more on neighborhood surface streets rather than pay. It’s human nature to seek out free parking spaces either in the park or the neighborhood before handing over money to park in a garage.

The San Diego Zoo doesn’t want paid parking because they firmly believe more people will use the Zoo lot for free parking. As the Zoo has so aptly pointed out, bringing paid parking to one area of the park will likely lead to a domino effect of paid parking, beginning with the Zoo itself.

Although underground parking is an approved concept for behind the Organ Pavilion in the Balboa Park Master Plan, the current proposal fails to meet the goals of the Balboa Park Master Plan. That was to remove not only automobile parking from Plaza de Panama, but also from the Palisades as well. The San Diego Zoo has clearly pointed out this structure provides a net gain of only 272 parking spaces–100 of which will be reserved for valet–at a cost of $39 million dollars. That is a massive expense that does nothing to solve the park’s overall parking and traffic issues.

The justification for the destructive infrastructure project is that it will transform Plaza de Panama into what they trumpet as a “world class pedestrian experience.” The problem with their plan for the Plaza is the same as their plan for the infrastructure project. It lacks the sensitivity and respect for history required for a National Register Historic Landmark. All phases of the project disregard Secretary of Interior Standards for the treatment of historic property. It introduces a glut of modern building materials and amenities that bear no relationship to the parks historic period. In what is supposed to be a celebration of the 100th anniversary of the Panama California exposition, there is nothing about the project that pays homage or respect to either 1915 or 1935. It is all about 2015 and design concepts borrowed from other parts of the world (See the above examples they provide). It has little to do with our history or using the designs, drawings,  plans, photos, and documents handed down from El Prado’s original architects.

If it had been up to community will and the best efforts of planners and city staff, Balboa Park’s Master Plan would have been implemented by now. It wasn’t an issue of lack of will or enthusiasm. The project was completely funded. But those funds were robbed by former Mayors and City Manager to fund their pet civic projects instead of Balboa Park. The process in developing the Balboa Park Master Plan was a model example of how public process is supposed to work. The community had a full seat at the table in deciding which elements of the project should stay or go. In contrast is the Sanders/Jacobs public process which amounts to a series of charrettes where participants are handed a box of crayons and told “ask any question you like.” Also contrasting is the spirit of both projects. The Balboa Park Master Plan was achieved through a dedication to negotiate and a willingness to compromise. In comparison there has only been small changes through public input to the Sanders/Jacobs plan.

The bypass from Cabrillo Bridge concept is not new.

During the development of the Balboa Park Master Plan, designs were created very similar to the Sanders/Jacobs plan. But through the careful vetting and review process utilized then, the bypass idea was tossed out. It was rejected not only by the planners involved, but also City staff and the community. Their judgement was sound then. It still is.

The way to the future. The Precise Lite Plan, based on the Central Mesa Precise Plan (Illustrated above).

The Precise Lite Plan achieves many of the goals set forward by Sanders and Jacobs. First it eliminates all automobile parking from Plaza de Panama. And as you can see, it restores most of the Plaza to pedestrian use. Because the Lite plan is relatively inexpensive, it does not require bonds or parking fees for its sustainability

An outline shows the redirected traffic pattern through the lower corner of the Plaza. It is through such a strategy that we can begin to address the issue of reducing the flow of automobiles into the park. It is an issue being addressed in other major urban parks including Central Park and Golden Gate Park where roadways are opened for pedestrian use at given times during the week. (Click on those links for more details on how traffic closures have worked in those parks).

The push is on in NYC to eliminate automobile traffic from Central Park altogether. Concurrently in San Francisco residents want to increase pedestrian access for Golden Gate Park. A study shows increasing pedestrian access increases park use–contrary to the fears of many institutions and stakeholders.

Why let New York City and San Francisco take the lead in progressive urban park planning? The issues of where people can park automobiles can be solved by collaborating  with the San Diego Zoo and the studies they’ve already paid for to address the park’s overall parking and traffic issues. Begin a managed traffic strategy that allows for designated times to open the Cabrillo Bridge to pedestrian use. The benefits to Balboa Park and the greater San Diego Community will flourish. Allowing more people to use the park, get people out of their cars, improve the air quality all at the same time is a winning formula. It is both reversible and expandable. It saves money. And it preserves the historic and architectural integrity of Balboa Park. A win all around!

What others say about the project

Caltrans “The City’s proposal to add a bypass bridge to the eastern end of the existing Cabrillo Bridge will in all likelihood result in a significant impact not only to the bridge itself, but to the State owned Cabrillo Freeway Historic District. These impacts must be addressed in the EIR and mitigation proposed. Please strongly consider avoiding all impacts to such an iconic and historic bridge/district.”

Citizens Coordinate for Centry 3 (C-3) “The Cabrillo Bridge was an integral part of the western, ceremonial approach to the Panama-California Exposition and continues to provide the same memorable view of the California Quadrangle. It would be a tragedy if that same view is no longer there to greet visitors arriving for the Exposition Centennial in 2015.”

Committee of One Hundred “A bypass bridge that would connect the east end of the Cabrillo Bridge to the Alcazar Garden parking lot is unacceptable. ”

Hillcrest History Guild  “Construction of the proposed bypass bridge is not in keeping with the historic designation of Balboa Park as a National Register Historic and pursuit of this bypass plan will result in protracted delays, excessive costs and the likelihood the proposal will be rejected by the City’s Historical Resources Board, the State Office of Historic Preservation and the National Park Service. ”

Mission Hills Heritage “The proposed bypass bridge at the east end of the Cabrillo Bridge is not in keeping with the historic nature and integrity of the bridge and western entrance to the park. For these reasons, we are opposed to the construction of the proposed bypass bridge as the means to divert traffic from the Plaza. Please consider alternatives to this project, or no project at all, rather than marring the entrance to Balboa Park.”

National Trust for Historic Preservation “The National Trust remains concerned about the effects of the proposed bypass bridge and road originating from the Cabrillo Bridge and the 785-space parking structure proposed for the area behind the Spreckels Organ Pavilion.”

Neighborhood Historic Preservation Coalition “The Coalition supports SOHO’s Precise Plan Lite, which removes automobile parking and redirects cars away form the main plaza. It can be implemented efficiently, inexpensively, and with the least impact the the historical integrity of the park”

North Park Historical Society“We oppose the current plans for an addition/appendage bridge and road to be build onto the historic Cabrillo Bridge in Balboa Park. These plans will destroy and impact forever the iconic historic landscape and the architectural and cultural integrity of this treasured historic landmark of California.”

North Park Planning Committee “Motion passed (12-0-1) to oppose the bypass bridge off the historic Cabrillo Bridge as proposed in the Jacobs’ plan for Balboa Park, and to encourage real exploration of alternative plans to remove parked cars from the Plaza de Panama that meet Secretary for the Interior Historic  Preservation Standards.”

Old Town San Diego Community Planing Group “opposes (12-0-2) the ‘buypass bridge’ off the the historic Cabrillo Bridge as proposed in the Jacobs plan for Balboa Park, and to encourage real exploration of alternative plans to remove parked cars from the Plaza de Panama the meet Secretary for the Interior Historic Preservation Standards.”

San Diego Archers “The proposed bypass option for the Plaza de Panama project would cause a total disruption if not terminal effect on the San Diego Archers and Rube Powell Archery Range. Please consider the various alternatives to the project, rather than marring the iconic entrance to Balboa Park.

The San Diego Archers oppose the bypass bridge.”

San Diego Council of Design Professionals “Severe environmental and aesthetic impact that the changes to the bridge will have on the use and image of the park.”

San Diego Zoo “We question the wisdom of spending $39 million for a net gain of only 272 parking spaces in a location that does not solve the park’s overall parking problem.”

Save Our Heritage Organisation “We cannot support the premise that a swath of concrete and massive fill bisecting the entire front facade of the National Historic Landmark Spanish Colonial Hilltop town and historic entry to the park is necessary in order to remove 70 parking spaces from the Plaza de Panama.”

State Historic Preservation Officer “”We would strongly discourage any major construction project that would have significant adverse impacts on the Landmarks or remove any historic fabric from contributing elements such as the Cabrillo Bridge.”

 


 

 

 

 


 

 

 

 

April 30, 2011

Fat City Endangered

It is one of San Diego’s most familiar landmarks. The regal Art Deco Streamline Moderne Fat City building located at 2137 Pacific Highway. It is home to Fat City Bar and Steakhouse, China Camp (now closed), and Denny’s. Its owner, Tom Fat, renown restaurateur and prominent figure in San Diego’s Asian Pacific Islander community, passed away in 2007 at age 66.  Some four years later the landmark building that is/was home to his highly successful eateries appears headed for demolition.

It Stretches Out Regally and Sphinx like

Tom Fat took over the boarded-up site in 1977 and brought the classic art deco complex back to its former glory. He practiced sustainability before anyone even heard about it.  That trait was likely learned from his father Frank Fat.  In 1939, Tom’s father took over a run-down building in Sacramento, only a block from the Capitol building, and turned it into the celebrated Frank Fat’s restaurant.

Fat City - China Camp Neon

The restoration and remodeling took nearly 3 years. The crowning touch was the installation of a mile of neon–certainly San Diego’s most wonderfully opulent neon showcases. A richly colorful and now rare art form. Tom Fat paid homage to an elegant era of design by bringing back this building’s flamboyance and flair.

 

Tom Fat’s great work earned him a 1981 Orchid Award–one of San Diego’s highest architectural honors.  Fat City’s neon art and architecture became feature articles in San Diego Magazine, Designer’s West, Times Magazine, Lighting Dimension, and the Smithsonian Neon Art photo magazine.

The restaurants helped energize the restaurant scene of all  downtown. The Fat City Steakhouse became ground zero for power lunches and dinners where local leaders were known to gather. Tom Fat was highly involved in and dedicated to the community. He was close to elected representatives, and many called upon him for advice.

Our research is still in progress. But we know this Art Deco treasure was built between 1940 and 1942 as Big Top Restaurants. Then a few years later it was just known as Top’s. The early name most famously associated as proprietor was Yale Kahn. He and his brothers were sons of Russian Immigrants who instilled a sense of hard work in their children. Brothers Irvin, Henry and Julius Kahn made their mark in San Diego  with real estate  development in Clairemont, University City, Rancho Penasquitos, and Mira Mesa.

But Yale Kahn was a fulcrum around which all the major popular nightclub entertainment in San Diego spun. The San Diego Union stated “Yale Kahn, a man whose knack for business earned him a spot in San Diego history” (San Diego Union November 8, 1959). Constantly in the news media spotlight during the 1950s, the Kahn brothers brought nationally and internationally famous performing acts to his restaurants and nightclubs and rubbed shoulders with politicians and business people throughout the region.

Top's was San Diego's Hot Spot for Entertainment

At Top’s Nightclub Yale brought in top stars of the day.  Nat King Cole, Shelley Winters, Nelson Eddy, Van Johnson, Don Ameche, Susan Hayward, Dan Rowan and Dick Martin, to name a few. He made Top’s an entertainment capitol in San Diego.

Yale Kahn also ran the Texas Liquor Houses, the Roaring 20’s Nightclub on Fletcher Parkway in El Cajon,  the nightclub in the Clairemont Bowl and Bradley’s (restaurant and nightclub) at Horton Plaza in the mid 1950s, making entertainment available to families. But one of Kahn’s most popular venues were the Chuck Wagon Restaurants in San Diego–most notably the Midway Chuck Wagon with its Gaslamp Room.

 

The Stars of the Gaslamp Room

The Midway Chuck Wagon and Gaslamp Room drew enormous crowds to see such famous entertainers as Louis Prima, Billy Daniels, Shelly Berman, Mort Saul, and Dr. Dean (hypnotist). Regis Philbin worked there as a Master of Ceremony.

Some common links between Tom Fat and the Kahn Brothers. They all stood in high esteem in the eyes of politicians and business people  in the San Diego Region. Top’s night club attracted both political and business leaders, just as Fat City Steakhouse did years later. This magnificent structure stands as witness to their noble efforts, these exemplary business leaders in San Diego history.

Tom Fat once told an interviewer: “I have learned, through the years, that I am my father’s son. He had an immense influence over everything I’ve done.” Foremost was giving back to the community, which Fat had done since coming to San Diego in 1976 to expand his family’s business.

Yale Kahn and his brothers built the Circle Arts Theater on Kearny Mesa. It was a dome shaped fine performing arts center, a theater in the round. They were also admired philanthropists with United Way and the United Jewish Fund.

As a business and community leader, Tom Fat served or chaired numerous organizations, boards and task forces, including the San Diego Convention & Visitors Bureau, Super Bowl Host Committee, San Diego Restaurant Association, San Diego Foundation, San Diego Film Commission, Little Italy Association and Asian Business Association, which he helped found. He was also instrumental in expanding the Kyoto Laureate Symposium Series, held here annually.

But of all the things that mattered most in Tom Fat’s life, San Diego’s Asian Pacific Islander community came first. They saw Tom Fat as its heart, soul and, in some ways, its conscience.

 

CCDC.com

The legacies of Yale Kahn and Tom Fat are intimately linked with the superb Art Deco building at 2137 Pacific Highway. And it will be demolished for the above. For THAT!

At a time when we should be observing and utilizing the best practices in sustainability, we continue to burden our rapidly shrinking landfills with huge amounts of demolition rubble of grand historic buildings such as Top’s/Fat City. Evaporating their embodied energy.

This senseless disregard for history–and of such  compelling legacies–is something that is almost sickening to try and describe. The feeling you get when you hear about someone taking a hammer to a rare museum sculpture, a knife to a beloved painting, book burnings, or using antiquities for target practice. What words can accurately describe a mindset that doesn’t value our past, the memories of those who came before us, or the cultural riches we inherit?

At this point we are gathering our research to help defend this important historic resources. For now, be aware and outraged this project is even being considered. We will track this development to make sure it goes through the process properly. That the Historical Resources Board has a chance to weigh in, and that feasible alternatives to demolition are properly studied.

Your comments to this posting will be valuable to submit as part of the public dialog, so please don’t hesitate to speak up here. It will help send a message to save this building.

 

 

March 15, 2011

Pt. Loma Moderne

Although Frank L. Hope, Sr. worked in a variety of styles, he was notable as a pioneer Modernist architect whose streamline architecture of 1930′s influenced the acceptance and rise in popularity of Modernism in San Diego.

To call him Frank L. Hope, Sr. is not quite correct. His father, the actual Frank L Hope Senior was a railroad executive and prominent San Diego resident. His son is the above mentioned Frank L. Hope, Jr.

But then Frank L. Hope, Jr. had a son also named Frank L. Hope, Jr.  It has been suggested we leave Frank L. Hope, Sr. out of the discussion altogether. And refer to the son as Frank L. Hope Jr, the elder. And his son as Frank L. Hope, Jr. the younger.

Frank L. Hope, Jr. the elder, had worked with Requa, Jackson, Lillian Rice and William H. Wheeler before establishing his own firm in 1928. Hope worked on a number of important commissions including designing a number of custom streamline homes in Pt. Loma. He also designed a good amount of streamline commercial buildings including  the 1936 Santa Fe City Offices 1200 Fifth Avenue NW corner at B Street, (demolished) and City Motors Ford (demolished last year).

His son Frank L. Hope Jr. the younger, joined the firm in 1955.  Hope Jr, the elder, retired in 1965. The Hope Design Group through 3 generations of Hope family architects had a huge part in creating modern San Diego.

The big dumpster out in front is rather ominous, but the work permits applied for relate only to interior remodeling. SOHO is keeping a close eye on this to make sure the exterior character defining streamline elements are not destroyed.

Streamline Moderne is a part of the Art Deco period of architecture. Also in the Deco fold is Egyptian and Aztec Revival. Above, a Deco detail. The mail slot.

March 13, 2011

The Pacific Style

Filed under: Dan Soderberg Photography — Dan Soderberg @ 5:49 pm

When I see the twin roof peaks of this house in Point Loma pointing to its view of the Pacific Ocean, I think of the bows of a catamaran. This 1961 custom designed Pacific Style modernist home was once featured in either Life Magazine or Sunset Magazine–research on that is still in progress. But one member of SOHO’s Modernism Committee remembers it.

Although extremely steep peaked roofs were associated with Googie or Futuristic Mid Century Modern architecture. But the landscaping, the lagoon-like pool, the lanai shaded patio area all speaks to a Pacific and Island influence.  It all seemed to coincide with Hawaii being granted Statehood in 1959 and a nation wide fascination  with Pacific Island culture and design, including Tiki craze.

We are learning more about whom the house is built for, but still don’t know the designer or architect.  In its day this house had to be one of Point Loma’s most spectacular modern homes. Clearly the home is laid out for major social function, capable of hosting over a hundred guests.

On one side the roof line goes down from the very high peak….

It goes down past a bedroom and private patio…

And then it touches down on the ground. Sadly a lot of the wood is rotting. Also note the private enclosed patio.

This is horrible to see. Plastic covering the roof. There appears to be deterioration caused by water damage inside. Aside from serious condition issues we’ve learned the interior is spectacular, all original and highly intact–including original furniture.

Unfortunately the property has been subdivided.  The former pool house is now a separate residence.  An application has been submitted to remodel this building, add a second story to  create two bedrooms, 2 baths and kitchen.

Subdivision of an original lot was cited as an objection to the Kesling designed house in La Jolla being historically designated. I would hate to see the same objection tossed up if the main house at this site goes up for designation.

Detail of the lanai.

The pool house falls clearly in the Pacific Ranch Style house category with its board and baton siding and exotic roof beam.

This site was extensively talked about at SOHO’s ModCom meeting on March 16, 2011. ModCom meets the 3rd Wednesday of every month, 6:30 pm, at Balboa Park’s historic Marston House.

February 27, 2011

913 Cherry Street

Dates listed on this page of the photo album say 1923. Helen graduated from High School in 1921. Helen said she got married right out of high school to Val Rudolph Otto Martin when she was 18. Daughter Jeanne was born September 22, 1923 in Long Beach, presumably at the time Helen and Val began studio work in Hollywood. Note the stack of books and walking stick to her left.

913 Cherry Street, Santa Rosa. Evidently Helen and Val didn’t live here very long.  The house today is in Santa Rosa’s Cherry Street Historic District.

February 20, 2011

Faces Of Our National Landmarks

Filed under: Save Balboa Park — Dan Soderberg @ 2:14 pm

Horrible development ideas and the faces of our National Landmarks don’t mix, nor should they ever allowed in such instances.

Save Balboa Park. Save the Cabrillo Bridge and Palm Canyon. Please sign the online petition to stop this horrendous project.

February 19, 2011

Shadow of a Doubt, Alfred Hitchcock’s Santa Rosa

1942 Hollywood publicity photo for Alfred Hitchcock’s Shadow of a Doubt. Photo from Santa Rosa Pressdemocrat

Hitchcock was captivated by the play Our Town. His creative mind was brewing a small town story that would become the film Shadow of a Doubt. He sought Thorton Wilder to write the script, and it proved to be a highly successful collaboration. Hitchcock considered a number of sites to represent his idyllic small American town. After careful scrutiny  it was decided Santa Rosa would fulfilled his vision.

The Santa Rosa Depot is an important feature of Shadow of a Doubt. At the beginning this is where the murderous Uncle Charlie arrives. Hitchcock uses visual foreshadowing when the approaching train casts  darkness over the whole station with a black cloud of smoke pumping from the locomotive’s smokestack. The depot figures prominently at the end as well when Uncle Charlie meets his demise there. The departing train puffs a barely noticeable trace of light smoke as the film ends.

The Shadow of a Doubt house.

Hitchcock and Wilder searched the town for the perfect house to match the one created in their script. The home owner was so proud to have his house chosen, he gave it a fresh new paint job. But that’s not what Hitchcock was looking for.

He got the owner to agree having the house painted again to look dirty! After shooting was done, Hitch made sure the house got yet another sparkling fresh coat of paint.

Hotel La Rose is seen in the film. A great looking historic hotel. Our friends who helped pass the nomination of the Homer Delawie home in Coronado to the National Register stayed here. A perfect choice!

The Empire Building in Old Courthouse Square is also in the film. It was built in the aftermath of the 1906 San Francisco earthquake and completed in 1910.

There’s a glimpse of the old Kress in the film. Shadow of a Doubt was Alfred Hitchcock’s first full American production.

It sat vacant for years and it took dedicated effort by the community to save this 1937 Art Moderne jewel. It underwent a structural and architectural rehabilitation with a complete restoration of the exterior façade.  Originally Rosenberg’s Department store, it is occupied today by Barnes and Nobel and Starbucks. Local businesses occupy the upper floors.

Another example of historic rehabilitation and restoration playing a key role in the revitalization of a downtown area.

Much of what was seen in Alfred Hitchcock’s Shadow of a Doubt no longer exists. But through some luck and preservation efforts, a sample of that time does remain.

A fantastic look back is found at Santa Rosa Then and Now.

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