Wiener Secession

As mentioned in my previous entry on Ljubljana, the Slovenian architect Jože Plečnik was a student of the Austrian architect Otto Wagner (1841-1918).
Wagner produced not only fine buildings but urban plans as well. In 1890 he produced a new city plan for Vienna. The ambitious work, however, only materialized in one phase. The Stadtbahn, Vienna’s urban rail network. The stations he designed are still in use today. Functional as ever; beautiful to look at.

The Karlsplatz Stadtbahn Station is the most recognized and iconic jewel of the system.

Karlsplatz Studtbahn Station (1894-1902) Detail


Karlsplatz, detail

Karlsplatz, detail

In 1897 Wagner co-founded the Vienna Sucessionsts, a group of designers, architects and artists dedicated to a new modernity of design. Pure, simple functional lines. New materials and new forms with a strong tendency to naturalistic motifs. Art Nouveau architect Josef Hoffman was also in this group along with designer Kolomon Moser, and painter Gustav Klimt.

Here is the Majolikahouse Wagner designed and built, 1898-1899


Majolikahouse, balcony detail.


This is a sister to Majolikahouse. The two buildings stand side by side on Linke Wienzeile, Vienna. Back in the day both structures were commonly regarded as “hideous beyond measure.”

Another Vienna Sucessionist co-founder was architect Joseph Olbrich. He designed the Sucession Exhibit Hall, above, in 1898.

Frank Lloyd Wright biographer Brendan Gill spends more than a few pages of essay about this building’s relationship with Wright’s 1905 landmark Unity Temple in Oak Park, Illinois.

Wright was never one to say “I took someone’s great idea and improved on it.” He rarely tipped his hat to any influence on his work. As a Guest Of Honor before a gathering of renown architects in Berlin, 1905, Wright must have bristled upon being introduced as “The American Olbrich.” His only outward reaction was to say this aroused his curiosity and that he’d have to discover what Olbrich and his work were all about–knowing full well Olbrich’s stature.

Olbrich died at age 41. Wright still had 50 years of career ahead of him and much of his legacy yet to be written.

Detail, Wiener Sucession Exhibit Hall

Detail, Unity Temple

Olbrich’s signature stone at Sucessionist Exhibit Hall. Wright used a red signature tile on his works.

Unity Temple, Oak Park, Illinois, 1905

Vertical lines, Unity Temple, above; Karlsplatz, below.


Karlsplatz (Wagner). The clock above foyer entrance.

Unity Temple Lighting details. Natural and incandescent indirect light.

Karlsplatz barrel ceiling detail and light element.

Lovely Ljubljana

There was a coffee house in San Diego/Hillcrest called Euphoria. It enjoyed a popular run before the lease expired and the proprietors relocated in North Park with a new title and clientelle. But Euphoria had a diverse following. It seemed to attract more than a share of European visitors.
This is where I met Andrej and Bostjan of Slovenia. We shared a table for coffee one afternoon. And met again on different occasions. Then I began showing them around town.
Andrej, though only in his mid twenties, was a noted physician specializing in diabetes. A real life Dougie Howser. He was in San Diego attending a world conference on Diabetes, and making presentations.
Bostjan was about the same age, but still in medical school and doing internship.
They invited me to Slovenia, to their home town and national capitol, Ljubljana.


Ljubljana has the charming looks of many renown European capitals, but enjoys a slower–yet energetic–pace with a population of only 300,000 or so.


Ljubljana’s mythological dragon made habitat at the near by lake. He was slain by Jason and The Argonauts. They were in possession of the stolen golden fleece when the encounter occurred. Today the dragon guards a town bridge.

A river runs through it. Providing the town a lot reflective beauty. With close proximity to Venice, Italy, the Italian influence is evident in the architecture. Not to mention the many Italian favorites on eatery menus.

The Market Arcades were designed by Slovenia’s best known and loved architect Jože Plečnik (1872-1957). He was a student of Otto Wagner in Vienna. Three cities in particular showcase his best work. Vienna, Prague and Ljubljana.


The City has many fine examples of Art Nouveau

Looking up to Ljubljana Castle. Digs reveal this site has been active since the 12th Century B.C. Fortification began in Illyrian and Celtic times. On through Roman Times and beyond. The tour I took with Andrej showed how the castle became more of a hunting lodge for European royalty. The interior walls are laden with heads of various beasts taken for prize.

That’s not exactly a close up. But that’s my host, Andrej.


There’s The Lake. Former home of The Dragon


Now the summer play ground for other species of monsters.

.

A city of charming architecture. That’s a freshly polished copper clad roof.


A quiet morning. But later the streets are busy. And city residents love their sidewalk cafe lifestyle.

London Town Fun

On May 10, 2006 I kept an appointment. An appearance in London at 8 A.M. on the live Earthcam situated at Covent Garden. That was 4 P.M. London Time. The middle left photo below shows the webcam view (Ken Garrett downloaded my actual appearance, but it vanished in my e-mail files.) The middle right image is my snapshot of the same location. Then below you see the webcam itself, to the right of the upright support.
Covent Garden, with its markets, cafes, and street performers is a favorite hangout in London.

The piazza shown in the top photo dates from 1632. The reference on one building is to the Punch and Judy shows observed and documented here by Samuel Pepys in 1662.

Covent Garden was originally, in fact, a Convent Garden of the Westminster Abbey monks.

Vegetable fields and fruit trees flourished here from 1536. I missed any explanation of why the “n” was dropped to make Covent Garden the name. Being as neither garden or convent remain any way.

.

.

London’s Eye, The Millennium Wheel, is currently the world’s tallest observation structure of its kind. It soars to 443 feet on the South Bank of River Thames.

The stark facade of the Tate Modern Museum. The Spartan feel is from a design that was originally the Bankside Power Station. The some 20,000 sq ft of interior space became a selling point for converting to a museum, beginning with its funding in 1996.

The enterance and foyer of the Tate Modern.


The Cambridge Pub, Cappuccetto’s, and SoupWorks at Leicester Square, above. Also, Bar Soho.

A view of rooftops and chimneys as seen from an above leg of the Underground.

Views from The Underground.

London is a sea of suits. Men dress for work. And if any respectable English Gentleman should forget, he is reminded to adjust his dress before leaving the WC.

Handyman

For the Christmas season of 1971 San Diego had no Home Depot, Lowe’s, Home Base or Builder’s Emporium. It was Handyman. Notice the price of the drill and jig saw. Now a days you pay that much just for bits and blades.

Twisted Tails of Copenhagen


Few spires are this beautiful or unique. Borsen–the old Copenhagen Stock Exchange. Hans Van Steenwinckle was the architect. Rundetaarn, shown in my previous essay, was also designed by him. It is a Dragonspire he created in 1625 for the Stock Exchange Building.

The tails of four dragons are twisted together in symbolic guardianship. This twining is a statement of strength. But the architect achieved a lightness and grace with the open chamber just below his dragons.

Death By Inconsolable Shame


The spiral or circular ramp. These have fascinated architects and their clients through centuries.

Rundetaarn (The Round Tower) 1642 of Copenhagen, Denmark has a ramp some 685 feet long spiraling around a hollow core. King Christian IV rode up and down this ramp with a horse and carriage. Home to Europe’s oldest functioning observatory, which sets a top with the viewing platform. A haven for scientists, intellectuals and teachers.

An inscription on the side is a rebus or code. “Lead, God, into the heart of King Christian IV The Right Teaching and Justice, 1642.” The tower is over 114 feet tall with a view of old Copenhagen that is a pleasure to behold.


The spires of old town Copenhagen stand like sentinels. They seem to call and speak to one another.

 

The spires of old town Copenhagen stand like sentinels. They seem to call and speak to one another.

The spires of old town Copenhagen stand like sentinels. They seem to call and speak to one another.

In view from Rundetaarn is another spiral design, The Church Of Our Savior, 1752.

There is a tragic legend of this tower’s architect, Laurids de Thurah. Spirals found in fortress towers turn to the left giving guards a free hand and extended reach advantage for defending right handed swordsmen. Conversely spiral stairs found in churches have a right turn helix.

The legend say when Laurids inspected his completed work a realization fell upon him like a mortifying pall. His spiral sprung the wrong way. His design was flawed.


His shame was so inconsolable he threw himself from the top of what was supposed to be his masterpiece.

The story must of stuck in my mind. Everywhere I turned in Copenhagen that church spire seemed to always catch some part of my peripheral site. The lurking ghost of Laurids. I was compelled time and time again to photograph this tower. Lovely site, sad legend.
But alas, if one happens to come across a book of history’s greatest urban legends, this story is surely amongst them. Architect Laurids de Thurah, in fact, enjoyed opening day as a moment of great pomp and circumstance. King Frederik V walked all the way up this grand spire as 27 canons saluted in the church square.


All the pomp and circumstance was repeated in 1996 upon the church’s restoration. Prince Joachim made the same walk as Frederik. No one then, or before, dove from the tower.

What is true, however, Laurids de Thurah died only seven years after completion of his spire. Reportedly Poor and forgotten. Maybe the legend was created to remember him in a more dramatic and enduring way. Not just to say he died in bed one day.


Thanks to Tom. His rendering of the church tower story to me and his metaphorical descriptions of Copenhagen and its features were of sublime inspiration. Also to Heather for research on the design theory of spiral towers (Right hand vs left helix).

More views from a top Rundetaarn).

 

More “Dead”

Mexico’s Day of The Dead is all about gentile and happy spirits of the after life. But there’s also more Halloween-like legends of darker angels. The malcontents and evil doers on the other side.
One of Mexico’s most legendary locations for this phenomena is Guadalajara’s downtown cemetery–their “Haunted” cemetery–Panteon de Belen. Many dates on the tombs and gravestones are from the mid 1800’s. These were well-to-do and important citizens of Guadalajara. But the graveyard came into existence during some of Mexico’s hardest times. Dark years seem to produce dark legends of after life.


The atmosphere within the walls of Belan is tranquil and beautiful. Pleasing landscaping–an array of interesting trees. There’s one tree in particular. Thick, sinuous roots form a massive trunk and vast canopy. This is Guadalajara’s most guarded tree. If it is allowed to die, a rapacious vampire will be unleashed upon a defenseless city population.
He’s terrorized the region before. Evidence was dead animals all around. Not only dead but sucked dry and bloodless. Then children died this way. A vampire was on the loose. People dared not venture out at night for fear of Lestat. A vigilante group was formed to track down the evil creature. Find him, they did; Captured by net. A lethal wooden stake was driven through his heart. And to take no chances his body was entombed in a concrete sarcophicus and buried deeply at Belan. Happiness reclaimed the homeland. Until….


The lethal wooden stake grew longer and wider from the vampire’s heart. It punched through the concrete sarcophicus lid and out of the grave. The stake became this tree. Not a sap producing tree but one of blood from all the creatures the vampire killed. Any little nick or damage, the tree dripped blood. And if the tree is allowed to die, the vampire WILL RETURN!


This story was being told to a group of very  young school children on a Day of The Dead field trip to Belan.


A heightened spookiness is possible by taking a night time tour. The chance of witnessing some of the phenomena is rumored to be quite great! For instance, one story says someone committed suicide–by neck, hanging from a tree. A night time shadow of this tree sometimes appears even though it was cut down long ago.
A cemetery guard has been seen. But there is no guard. Those who saw this guard’s face say it matched a portrait attached to one of the graves.
There’s an approaching clip clop and rattle of an 1800’s horse drawn coffin wagon. It stops at the cemetery gate. Nothing is ever there except hints of moving shadows.
Perhaps this was just too much after life activity to suit “Los Hombres Ilustres,” prominent Jalisco State and Guadalajara dignitaries buried here. They were excavated in 1947 and moved to a new Memorial “La Rotonda de Los Hombres Illustres” next to Guadalajara Cathedral.


The architecture next to them may seem familiar to those big shots. The Cathedral towers and the Belan Cemetery Pavilion under which the illustrious were buried had the same architect.

Dias de los Muertos

.
While we in the U.S. go all out for festive, imaginative–if not outrageous–costuming, parties and trick or treating at Halloween time, in Mexico they begin celebrating Dias de los Muertos, Days of the Dead.
On Halloween Day, 2004. I was in the heart of Old Mexico, Michoacan. They don’t celebrate Halloween as we know it. October 31st, Hollows Eve, marks the beginning of a three day celebration which also encompasses All Saints Day and All Souls Day. These are Dias de Los Muertos. The focus is not so much on costumes and trick or treating, but on remembrance of dead loved ones and connecting with their spirits.
.
.
Don’t mistake this as grim and serious. These are days of parties, feasts and family reunions from both sides of the grave and mortal plane. The departed are not sadly viewed as having vanished from daily life. But they’re happy, active participants. Their spirits are guardians of the living.
.
.
Each region of Mexico offers a slight variation of these customs. But generally this is a holiday with marigold adorned altars in the home, favorite foods of the loved ones prepared and lavishly displayed, favorite drinks even booze or cigarettes if those were enjoyed. There are ceremonial skulls and skeletons. Paper decorations in bright colors. Harvested crops. Tall continually lit candle sticks.
.
.
Every object placed at the home altar has meaning. Four symbols of nature are always present. Earth, Wind, Water, and Fire.
Earth is represented by flowers and crops. Souls are enticed to the altar and fed by aroma; the mouth watering smell of their favorite foods.
Wind is symbolized by a moving object. Colorful tissue paper and hanging cut out decorations are commonly used to to sway or toss about in a breeze or draft.
Water in a decorative bowl. Quenching a soul’s thirst after a long journey home. Even a hand towel is provided.
Fire glows with candles.
.
.
Some regions of Mexico are more known for one particular aspect of the holiday than others. For instance, La Calaca “the skeleton” is famous in the Mexico City region. Bakeries have skeleton and skull decorations displayed. Attached are verses dedicated to the dead. Special breads are shaped and baked to be sold specifically for altar offerings.
In something like trick or treating, children collect candies on this holiday. But often these are muertos, little candy skulls.
La Calaca is not meant to be scary, but fun. The typical female ceremonial skeleton is lavishly dressed, adorned with jewelery, and a floppy wide brim hat. The man often has a bottle of booze in hand. In short, they’re ready to party.
The altar tradition is deeply rooted in Michoacan. I visited the small village of Santa Fe De La Laguna on the road from Morelia to Uruapan. The residents are an indigenous people, The Purepecha Indians. They mainly speak Purepechan rather than Spanish. Many still wear traditional garments. When the Spanish arrived in the 1500’s they found this group battling the Aztecs. Needless to say neither group was any match for the Conquistadors.
.
.
The Spanish called these Indians The Tarascan. After slaughtering thousands of them in conquest, Spain sought to be a kinder, gentler ruler. One gesture was to not to completely strip away their spiritual beliefs. Instead many rituals, including Dias de Los Muertos, were allowed to remain. And these were folded into Christian customs. Thus you have this blending of pre-Hispanic rituals with the All Saints and All Souls tradition.
People of this village retain old values of openness and hospitality. I walked by an open door. I saw inside just a bit. There I noticed a beautifully flowered altar. A seated group of Tarascan ladies warmly extended an invitation to enter. Their simple yet welcoming home had three main rooms. The largest was devoted to the altar. Men sat in a smaller room. The other was occupied by the women. This village has a unique variation of Dias de Los Muertos. The women attend exclusively to the all the aspects of planning and setting up for the holiday. The altar, the food, the cleaning and decorating of the grave site, etc. The men are involved only with harvest rituals.
.
.
I studied the array of yellow, orange and red altar flowers, the tall candles, the uniquely shaped bread offerings, the prepared food, and the apparent keepsakes of a child. This was All Saints Day dedicated to the spirits of children.
I was invited to a delicious bowl of red tomato fish soup and a tamale wrapped in banana leaves. The women were very pleased I accepted their offering. They smiled at my obvious enjoyment of the meal. I was offered another serving.
Other regions celebrate this day with parades. A Lidless coffin lifted up to catch flowers, fruits and candles. A crackle of firecrackers. At night the tall altar candles burn continuously in remembrance.
.
.
November 2nd, All Souls Day, is the day of spiritual reunion with adult loved ones. Activities shift to the graveyard. Flower strewn paths to family plots.  Sites are cleaned, groomed and lavishly decorated with marigolds and other flowers. A picnic is enjoyed a savory array of the departed one’s favorite foods. Some share tequila. Others set off fireworks. A Mariachi Band is often present. Festivities for this “Night of The Dead” are an all night affair. The night glows from a myriad of burning candles.
A lot of Americans who visit Mexico this time of year may well leave impressed with the color, beauty and charm of this occasion. These are intriguing customs that have spiritual value. Not just a party excuse or candy grab. It is to honor and remember deceased loved ones as well as to eat, drink and be merry.
.
.
But there is some danger of all this falling by the way side. The U.S. manner of celebrating Halloween is expanding and becoming ever more popular in the urban and border areas of Mexico. Wall Mart and others well supply Mexico with all the mass produced witch’s hats, Spider Man costumes, and other Halloween paraphernalia available in the U.S.. This influence seems enough for government and private institutions to now educate about and promote the old traditions.
Santa Fe de La Laguna, has resisted change for centuries. Hopefully they will continue to hang on to what is uniquely theirs. Even in the midst of N.A.F.T.A., globalization and the new world order.

IL Duomo

Milan’s High Gothic Cathedral “Il Duomo,” from 1386 is having a face lift. A long needed cleaning to turn dark gray into white with hints of pink. So for now views are obscured by scaffolding. Several of the statue topped spires are complete. And looking nice. Ceremonies and services continue inside.

Pan Pacific

PanPacific1 copy
Pan Pacific Auditorium, Welton Becket, architect. Surrounded by barbed wire and cyclone fence, circa 1988.

Before Los Angeles had a commerce and population requiring such indoor venues as The Staples Center, The L.A. Sports Arena, and the L.A. Convention Center, there was the venerable Pan Pacific Auditorium. The nearly endless list of events there included Ice Capades, Harlem Globetrotters, Wrestling, UCLA basketball, Political rallies, and concerts of all musical genres. In fact, Elvis had left the building…following his concert there in 1957.
The striking streamline moderne facade of that multi functional hall made an impression on me at an early age (1960’s) when Dad took me on his tropical fish store route. Later during my years at UCLA I liked to drive by and admire it. But the old beauty by then was neglected and left behind by the newer, larger, exhibit halls. Talk was afloat for years about restoration. But the only result was more crumbling and decay. It is a scenario all too familiar, especially in San Diego with the California Theatre and the La Jolla cottages, Red Roost and Red Rest.

While I was taking this photo from behind the post office, a resident of the neighborhood said “It’s a fire waiting to happen.” Sadly he was right.

http://www.lafire.com/famous_fires/MajorIncident-index.htm

“Even vanished Becket buildings have left an indelible after-image: the Pan Pacific Auditorium remains a part of the mental landscape of L.A. long after the actual building burned and crumbled.” –Alan Hess

Historical photographs of this and other L.A. landmarks, go here:
hollywoodphotographs.com/search….